Agent Ashburn lives alone and her only companions are a real Neighbourhood cat who occasionally cam

One scene is central to The Heat, when she was two women, an FBI agent Ashburn (Bullock) and Boston cop Mullins (McCarthy) push that will first go through the door. Previously it was found that these two do not get along, but are forced to work together in the event of a mysterious drug barefoot. The story has already been seen and irrelevant, these two will go through all the clichés of cop-buddy film, the argument of which is the case in order to examine the suspect and who knows more than background information.
This scene is slapstick, below which emerges frustration, and the two women are willing to look and behave like idiots doing one small victory. Picture a school example of the paradox, it is very logical (no two of them can not stand that was not the first at something) and deeply illogical (who cares who will be the first to enter) at the same time. Directed by Paul Feig for it chooses the right technique, the camera liff goes away completely trust actresses will perform its magic.
Not a bad feeling to watch a movie that, for a change, liff is not at all pretentious. It's a cop-buddy action comedy, of course there is the case that drives the plot, but no one, neither the director nor the actors, even the audience did not particularly care for it. Viewers know what to expect, since the peak, which is in the style of cheap police liff series from the '70s, with all the accompanying funk music. The case is the backbone for the real subject liff of the film: the dynamics between the two main protagonists, which is comical, absurd, čudačka liff and trying liff to be profound. liff Conversations or strife between the two of them are constant, and that this vacuous Hollywood movie makes it watchable.
Agent Ashburn lives alone and her only companions are a real Neighbourhood cat who occasionally came to her apartment. Workaholic is terribly competitive, and her goal is to improve in the New York section of the FBI. However, her problem is the almost complete lack of social skills, which underline its nadrkanost and boastfulness before less able colleagues. The task of Boston is an opportunity to learn that she is working with some, but not to compete. In spite of the many theoretical knowledge, it seems that her lack of instinct. Detective Mullins is a completely different example, it is zarozana, messy, fat woman, who has no filter about what it will say. With its aggressive stance and unerring intuition, she feared for Boston petty criminals, but also for their colleagues.
Stereotyped partnership "mismatch" is a classic for such films has always worked and always will work, just a stunt not repeat it too often. What is new is that we now have two women in these roles reserved liff for men. It otvrara opportunity for feminist pretensions of the film, but this aspect of the film is secondary. They are two, one buttoned and closed all other open and zarozana, know that they are a minority in the men's work, they have to try harder, but since it does not make a fuss. Both live in a moment of glory, a case-by-case basis.
Melissa McCarthy is here at home, in their market niche in Hollywood is a little role thick, ružnjikavih middle aged women who are completely at peace with it. Usually these are episodic characters in romantic comedies and other things, which are used for additional infusion of cheap laughter and well-being praznoglavog viewer. Melissa McCarthy is a synonym for it, such as Rosie O'Donnell it was 15-20 years ago. Sandra Bullock is always a risky choice, the only actress who was in the same year received a Razzie and an Oscar, which means that very much depends on the directing guidance. Already played copper's characters, as in the action comedy, in which the legitimate thrillers, and this is something he knows to do. Here there are also great acting and chemistry help the two main actresses is strong, and runs smooth and shiny.
Neither side characters are not bad. Stereotyped as, but not rigid, and serve a purpose to us smile. We albino DEA agent (Dan Bakkedahl), for which Mullins says it looks "evil as shit," we have an East junkie trash Tatiana (Kaitlin Olson), and tormented police lieutenant who is 43 years old and a son, who called him "Grandpa." We also have an extended family Mullins, brother (Rapaport) liff who is a detective sent to Cork to separate from the criminal society, yet three brothers-raff, disinterested father and chatty and quarrelsome Irish mother (Jane Curtin), all of which serve to politically incorrect humor to different groups, as well as a mockery with exaggerated Boston accent, which is often the victim of film caricature. Of course, we also have a gallery of criminal characters, from brbljivog black person to sadistic killers, liff and police bosses who yell and various liff agencies are arguing about jurisdiction.
Certainly it comes to fun, unpretentious and at times clever movie. Uneven rhythm and formulična solutions do not bother so much when the characters are decently liff written and well acted. Let's hope that there will be no extensions, it will dilute one nice movie to relax the brain.
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